Anthony Antwann Allen's journey as a recording artist, songwriter, performer and music entrepreneur began years before the emergence of THA PARTY KING.
In the early stage of his career, Allen performed under the name Bishop A, creating music rooted in Christian hip-hop, faith, rhythm, movement and positive entertainment. His early releases included “Head, Shoulders, Knees and Toes” and “Prodigal Child.”
During this period, Bishop A performed at church programs and faith-centered events throughout the South. “Head, Shoulders, Knees and Toes” reportedly reached the number-one position in SoundClick's Christian Hip-Hop category in 2006 — artist-supplied career history pending supporting documentation.
In 2007, Allen relocated to Atlanta with his sister, Southern Soul artist Donyale Renee. An opportunity to perform “Head, Shoulders, Knees and Toes” at The Red Shoe, a popular Atlanta club associated with the family of members of the R&B group Jagged Edge, became a turning point in his career.
That performance helped connect Bishop A with manager Virgil Loften and opened the door to the formation of the Hip-Hop Party League.
Working with producer Keith “Versitile” Bell, artist Tray-Dae, the Party League dancers and manager Virgil Loften, Bishop A became the lead artist of a performance-driven group built around music, dancing, audience participation and high-energy entertainment.
The Hip-Hop Party League made its mark on Atlanta stages and recorded an expanding catalog through HPL Records, the label owned by Anthony Antwann Allen. The group released the EP Wash-N-Machine and the albums Unleash the Beast and Freedom Party.
The catalog eventually reached Pigfactory, now associated with Riptide Music Group, creating opportunities for the music to be represented for television, film and other media uses.
The group's television-placement history began in 2009 with music connected to MTV's The Real World. Available BMI royalty statements beginning in 2016 document the catalog's continuing use across television programs, films, cable networks, digital video services and international territories.
The Bishop A and Hip-Hop Party League era established a creative foundation centered on party music, choreography, call-and-response performance, Southern culture, hip-hop energy and bringing people together.
That foundation later evolved into THA PARTY KING — an independent recording artist, songwriter, entertainer and music entrepreneur whose current sound combines Southern Soul, R&B, Funk, Hip-Hop, Country, Louisiana Zydeco and Dance.
The artist's name and musical presentation evolved, but the central purpose remained consistent.
Create music that moves people — physically and emotionally.